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Publicity cel of Rocky the Flying Squirell and Bullwinkle J. Moose There is a minisule speck of line wear on Rocky's back visible only upon close examination. Signed by: Jay Ward The size of this piece is 12 Field (11"x13") and the character size is 7" h x 7.75" w. US$ 695 (unframed). Add this piece to your collection for only US$139 a month. UNCCS2 |
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Publicity cel of Natasha and Boris Signed by: Jay Ward The size of this piece is 12 Field (11"x13") and the character size is 8.25" h x 5.5" w. US$ 495 (unframed). Add this piece to your collection for only US$99 a month. UNCCS3 |
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Production cel Slight line wear. The size of this piece is 12 Field (11"x13") and the character size is 5" h x 5" w. US$ 25 (unframed). OSCDM1 |
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Production cel A cute Grandma cel! Tiny specks of line wear. The size of this piece is 12 Field (11"x13") and the character size is 4.5" h x 2.5" w. US$ 25 (unframed). OSCDM13 |
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Production cel A cute Grandma image! Tiny specks of line wear. The size of this piece is 12 Field (11"x13") and the character size is 4.5" h x 2.5" w. US$ 25 (unframed). OSCDM14 |
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Production cel of Little Red Riding Hood The size of this piece is 12 Field (11"x13") and the character size is 3" h x 2" w. US$ 25 (unframed). OSCDM18 |
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Production cel of Betty Boop Framed, this piece measures 21" x 25.25". The piece has quite a lot of paint separation in the various frames. The character size is 7" h x 6" w. US$ 200 (framed). OSCTD5 |
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Production cel of some bears We don’t know what this is from, but it's really cute! The size of this piece is 12 Field (11"x13") and the character size is 6.5" h x 4.5" w. US$ 250 (unframed). Add this piece to your collection for only US$50 a month. OSCVR3 |
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Production cel of Scooby Doo and Shaggy (aka Norville Rogers) The size of this piece is 12 Field (11"x13") and the character size is 6" h x 9" w. US$ 350 (unframed). Add this piece to your collection for only US$70 a month. HBCDM8 |
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Production background The size of this piece is 12 Field (11"x13") US$ 25 (unframed). OSMDM14 |
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Comic strip of Li'l Abner This original comic strip is dated 4-16-1940 and measures 6.75" x 23". The Li'l Abner comic strip began 1934 and was successful right off the bat. There appears to be slight occurrences of white out and paper adhered to the strip outside of the image areas, which can easily be matted out. Signed by: Al Capp US$ 1200 (unframed). Add this piece to your collection for only US$240 a month. OSTCS1 |
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Comic strip of Daisy Mae "The Supreme Sacrifice!" is written on the top left margin of the strip. The date is August 5th, but the year portion of the United Features Syndicate portion is detached. As Daisy Mae did not marry Li'l Abner until the early 1950s, it is likely this strip is from the 1930s/1940s. The strip measures 6.75" x 22.75". The strip is affixed to a backing board. Signed by: Al Capp US$ 1200 (unframed). Add this piece to your collection for only US$240 a month. OSTCS2 |
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Comic strip of the King This is a Sunday strip, dated 1979. It measures 14" x 20.75". As visible in the image, this strip is comprised of 3 strips, each affixed to a backing board. Signed by: Brant Parker US$ 450 (unframed). Add this piece to your collection for only US$90 a month. OSTCS3 |
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Comic strip of B.D. This original comic strip is dated 8-30-1980 and measures 7" x 16.75". As visible in the image, the paper has had a tinge of color change around the outer edges only which can be easily matted out. The strip is mounted to a backing board. Signed by: Garry Trudeau US$ 800 (unframed). Add this piece to your collection for only US$160 a month. OSTCS4 |
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Publicity cel of Rocky the Flying Squirell The cel measures 9" x 7". Signed by: Jay Ward The character size is 5.5" h x 6" w. US$ 750 (unframed). Add this piece to your collection for only US$150 a month. UNCCS1 |
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Production cel of the Pink Panther If you were to own one Pink Panther cel, this is the one! The size of this piece is 12 Field (11"x13") and the character size is 7.25" h x 7" w. US$ 395 (unframed). Add this piece to your collection for only US$79 a month. PPCPPB175 |
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Production drawing of Woody Woodpecker Signed by: Walter Lantz The size of this piece is 12 Field (11"x13") and the character size is 4" h x 3.25" w. US$ 50 (unframed). OSDCS8 |
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Production drawing of Stimpy There are six drawings in total from this unforgettable scene. Corn, Corn, Corn! Comes with WWA certificate of authenticity. This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. The size of this piece is 16 Field (13"x16") and the character size is 9" h x 13" w. (unframed). RSDBW1 |
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Master set-up of Stimpy AAAAAH! Super Great Tongue Action. Awesome Flying Sweat, Outstretched Fingers, and Googly Eyes! Who could ask for anything more? Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. The size of this piece is 12 Field (11"x13") and the character size is 9" h x 9.5" w. (unframed). RSMBW1 |
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Master background of Ren This is a very nice piece, all hand painted on the background. A great viewpoint of this bathing 'beauty'. Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. The size of this piece is 12 Field (11"x13") and the character size is 7" h x 7" w. (unframed). RSMBW10 |
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Master set-up with matching drawing of Ren and Stimpy Best Pals! There are 3 drawings included with this 'oddest of odd' couple. Own a part of the animation revolution from the early 90's. Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. Ren shows evidence of very slight line wear. The size of this piece is 12 Field (11"x13") and the character size is 7" h x 7.5" w. (unframed). RSMBW13 |
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Master set-up with matching drawing of Stimpy and Sammy Mantis, Jr Check out that eye...that lovely singing voice…and the star struck fan. Plus all four drawings. Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. There is very slight line wear along Stimpy's tongue. The size of this piece is 12 Field (11"x13") and the character size is 7.25" h x 7.25" w. (unframed). RSMBW14 |
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Master set-up with matching drawing of Stimpy Books are Fun! Sure Thing, Pal! Includes these 2 superb drawings, too. Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. The size of this piece is 12 Field (11"x13") and the character size is 8" h x 6" w. (unframed). RSMBW15 |
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Master set-up of Stimpy and a chicken Something blue, something cooked and something borrowed! And they lived happily ever after, at least for a little while. Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. The size of this piece is 12 Field (11"x13") and the character size is 6.75" h x 7.75" w. (unframed). RSMBW16 |
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Master set-up with matching drawing of Ren Intense concentration. Read 'em and weep, don't fold on this killer hand. Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. Piece exhibits very slight line wear on some of the cards, nose and the left eye and is only visible upon close examination. The size of this piece is 12 Field (11"x13") and the character size is 8.25" h x 6" w. (unframed). RSMBW17 |
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Master set-up of Stimpy Holy %$&@! A picture says a thousand words. Don't flush away your chance to own this iconic piece of work. Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. The size of this piece is 12 Field (11"x13") and the character size is 4.5" h x 3.25" w. (unframed). RSMBW2 |
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Master set-up of Ren Who's your buddy, Who's your Pal?!? Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. The size of this piece is 12 Field (11"x13") and the character size is 7" h x 4.5" w. (unframed). RSMBW5 |
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Master set-up of Ren Stressed out and away from his Pal. So Sweet. Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. There is a small area of line wear along the right edge of the blanket. The size of this piece is 12 Field (11"x13") and the character size is 6.5" h x 8.5" w. (unframed). RSMBW7 |
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Master set-up with matching drawing of Stimpy and a chicken This Hot Chick is Love at first Bite. Is that Gravy on your collar? Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. There is a miniscule area of paint loss along the top part of the nose, 1/32"x1/4". The size of this piece is 12 Field (11"x13") and the character size is 7.5" h x 6.5" w. (unframed). RSMBW8 |
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Production drawing of Hairy Scary Cartoon drawing of a Hairy Scary smiling. The size of this piece is 12 Field (11"x13") (unframed). OSDBO3 |
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Production drawing of Hairy Scary Hairy Scary bearing his fangs. The size of this piece is 12 Field (11"x13") (unframed). OSDBO5 |
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Storyboard of Optimus Prime and Ironhide The artwork measures 8.5" x 11". Printed on the lower right corner is " Marvel Productions LTD" From the Estate of Artist and Animator Robert Alan Smith. There is a 2.25" crease across the upper left corner. The size of this piece is 12 Field (11"x13") (unframed). OSDCS7 |
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Production cel and production background of Spock A classic cel! The size of this piece is 12 Field (11"x13") and the character size is 8" h x 9" w. (unframed). OSCBB80 |
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Master set-up with matching drawing of Ren You EEEeee-diot! The door and red 'slam' is painted on a second cel, a very nice piece. Comes with WWA certificate of authenticity. This piece is among the first masters we've seen from the original Ren and Stimpy show. It's FAN-tastic! This piece was acquired from the collection of Billy West, who was the voice talent behind both Ren and Stimpy during the early production years of the show from 1993-1996. The size of this piece is 12 Field (11"x13") and the character size is 9.75" h x 10.75" w. (unframed). RSMBW12 |
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Storyboard of Transformers and Dinobots The artwork measures 8.5" x 11". Printed on the lower right corner is " Marvel Productions LTD" From the Estate of Artist and Animator Robert Alan Smith. There is a 2.25" fold across the upper left corner. (unframed). OSDCS5 |
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Storyboard of Grimlock and Sludge The artwork measures 8.5" x 11". Printed on the lower right corner is " Marvel Productions LTD" From the Estate of Artist and Animator Robert Alan Smith. There is a 2.25" crease across the upper left corner and a the upper and lower right corners exhibit signs of handling. A blue 'X' has been marked across tape that is covering three illustrated frames. (unframed). OSDCS6 |
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| 1914 | |||||
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Production drawing of Gertie the dinosaur The character size is 4.75" h x 5" w. (unframed). OSD23 |
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Production drawing of Gertie the dinosaur This is an amazing piece of animation history! Windsor McCay pioneered the field of animation with his short works Little Nemo and How a Mosquito Operates but he is possibly best known for his masterpiece Gertie the Dinosaur. McCay’s early works were not created with cels laid over backgrounds like traditional animation, rather he drew each drawing on translucent rice paper with India ink. This wonderful piece featuring Gertie as she swallows the stump of a tree in one big gulp is a fantastic example of McCay’s animation process. The drawing measures 6.75" x 8.5". As visible in the image, the artwork is affixed to a backing board with slight discoloration along the extreme upper and lower edges. There is slight evidence of paper loss and tearing toward the extreme upper left corner, which can easily be matted out. (unframed). OSDCS1 |
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| 1934 | |||||
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Master set-up of Popeye Cel has become slightly wavy which is fairly common for vintage animation cels. The cel has been affixed to a painted background at the upper left and lower right corners. In our opinion, this piece has been professionally restored. The size of this piece is 12 Field (11"x13") and the character size is 4.25" h x 7.5" w. US$ 18000 (unframed). OSMCS9 |
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Production cel of Betty Boop The size of this piece is 12 Field (11"x13") (framed). OSC22 |
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| 1935 | |||||
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Production drawing of Popeye and Olive Oyl This is the first time we've seen a drawing from this 1935 short! There is very slight evidence of handling in the upper right corner, and, as seen in the web image, there is a slight smudge or paper discoloration in the center toward the extreme lower edge. The size of this piece is 12 Field (11"x13") and the character size is 4" h x 3.5" w. US$ 750 (unframed). Add this piece to your collection for only US$150 a month. OSDCS14 |
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Production drawing of Popeye and Olive Oyl This is the first time we've seen a drawing from this 1935 short! There are dark marks on the extreme upper and left edges of the drawing and evidence of slight handling toward the upper left corner, all of which can easily be matted out. The size of this piece is 12 Field (11"x13") and the character size is 4" h x 4" w. US$ 795 (unframed). Add this piece to your collection for only US$159 a month. OSDCS15 |
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Production drawing of Popeye and Olive Oyl This is the first time we've seen a drawing from this 1935 short! Piece exhibits some slight handling by the lower left side as well as slight folding in the extreme corners. The size of this piece is 12 Field (11"x13") and the character size is 3.5" h x 4.25" w. US$ 795 (unframed). Add this piece to your collection for only US$159 a month. OSDCS16 |
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Production drawing of Popeye and Olive Oyl We have never seen drawings from this short before now! There is a horizontal crease of 2.0" located 2.0" to the left of the character Popeye and there are minor creases across the upper left and lower corners. The size of this piece is 12 Field (11"x13") and the character size is 3.5" h x 5" w. US$ 795 (unframed). Add this piece to your collection for only US$159 a month. OSDCS17 |
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Production drawing of Betty Boop This is the first time we've seen a drawing from this 1935 short! There is evidence of slight handling. The size of this piece is 12 Field (11"x13") and the character size is 4.25" h x 1.5" w. US$ 595 (unframed). Add this piece to your collection for only US$119 a month. OSDCS9 |
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Production drawing of Betty Boop This is the first time we've seen a drawing from this 1935 short! There are three minor tears of 0.25" at the lower edge and slightly visible in the web image are creases of 1.25" and 3.25" across the lower left corner. There are some faint folds along the lower edge. These can all be easily matted out. The size of this piece is 12 Field (11"x13") and the character size is 3" h x 1" w. US$ 595 (unframed). Add this piece to your collection for only US$119 a month. OSDCS10 |
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Color reference drawing of Betty Boop This is the first time we've seen a drawing from this 1935 short! The size of this piece is 12 Field (11"x13") and the character size is 2.75" h x 1" w. US$ 1100 (unframed). Add this piece to your collection for only US$220 a month. OSDCS11 |
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Color reference drawing of Popeye and Olive Oyl This is the first time we've seen a drawing from this 1935 short! There are some very faint creases of 1.5" across the lower right corner which can be easily matted out. The size of this piece is 12 Field (11"x13") and the character size is 3.5" h x 4" w. US$ 1500 (unframed). OSDCS13 |
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Production drawing of Betty Boop This is the first time we've seen a drawing from this 1935 short! As visible in the web image, there are smudges and specks of black throughout the drawing. There are creases of 2.0" - 0.5" across the upper right corner and lower and a 0.5" fold across the lower left corner which can be easily matted out. The size of this piece is 12 Field (11"x13") and the character size is 3" h x 1" w. (unframed). OSDCS12 |
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| 1939 | |||||
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Key master set-up of some townspeople Little Lilliputians push and pull the giant mechanism that is holding the prone Gulliver in place. The scene appears at 29:34 in the film. Cel is taped to the background by the upper corners and is slightly wavy which is fairly common for animation cels of this age. There is a tinge of color change in the border of the background and there is some surface paper loss along the extreme lower edge which can be easily matted out. The cel has been stapled to the background by two staples and there is a 0.5" x 0.5" tear in the cel by the staples at the upper left corner and within the border which can be easily matted out. There is a 0.125" x 0.125" area of paper loss to the background with a tear 0.25" in length in the border by the upper left corner. There is very slight paint lifting in the hair of the middle character which is visible upon close inspection. There is evidence of a pin hole to the background 0.25" above the middle peg hole and evidence of staple holes to the background and cel where the border and artwork meet; one at each lower corner and one halfway across the lower edge. The size of this piece is 12 Field (11"x13") and the character size is 6.75" h x 5" w. (unframed). OSMCS6 |
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| 1941 | |||||
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Storyboard of Hoppity The piece measures 5.5" x 8.5". The artwork border measures 5.0" x 6.5". There is evidence of 2-3 pin holes at each corner and a 0.125" tear to the edge of the upper right corner, these can all be easily matted out. As pinning up storyboards for evaluation was often part of the creative process, this is fairly common for this type of work. US$ 395 (unframed). Add this piece to your collection for only US$79 a month. OSDCS19 |
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Storyboard of Hoppity The piece measures 5.5" x 8.5". The artwork border measures 5.0" x 6.5". There is evidence of multiple pin holes at each corner and as visible in the web image, there is paper loss in the peg holes. These can all be easily matted out. As pinning up storyboards for evaluation was often part of the creative process, this is fairly common for this type of work. US$ 395 (unframed). Add this piece to your collection for only US$79 a month. OSDCS20 |
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Storyboard of Bagley Beetle and Swat and Smack The piece measures 5.5" x 8.5". The artwork border measures 5.0" x 6.5". There is evidence of two pin holes by each corner which can be easily matted out. There is evidence of five pin holes in the artwork; two near the upper right corner, one in the center, and one in the mouth of the middle character. As pinning up storyboards for evaluation was often part of the creative process, this is fairly common for this type of work. US$ 395 (unframed). Add this piece to your collection for only US$79 a month. OSDCS21 |
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Concept piece of Hoppity Mr. Hoppity stands atop Mr. Bumbles Honey Shop and valiantly tries to put out the blazing flames. This gorgeous concept is fine sample of the great work put out by Fleisher studios. The piece measures 11.5" x 14.25". The actual artwork image measures 8.5" x 11.25". There is evidence of two pin holes at the upper corners which can be easily matted out. As pinning up work for evaluation was often part of the creative process, this is fairly common for this type of work. The white border around the artwork has a tinge of discoloration and there are dark smudges. US$ 4500 (unframed). Add this piece to your collection for only US$900 a month. OSACS1 |
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Concept piece of Hoppity and Mr Bumble Due to unfortunately being released two days before the bombing of Pearl Harbor, Mr. Bug Goes to Town was a box office failure. This concept of Mr. Bumble’s Honey Shop is a beautiful example of the fine work that the Fleisher Studios put out in the early. The writing at the top says: "Honey Shop in Beetle Boro" The image measures 8.75" x 11.5". There is a tinge of color change around the edges. There is evidence of pin holes along the corners. The size of this piece is 12 Field (11"x13") US$ 5900 (unframed). Add this piece to your collection for only US$1180 a month. OSACS2 |
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Storyboard of Hoppity and Mr Bumble The piece measures 5.5" x 8.5". The artwork border measures 5.0" x 6.75". There is evidence of a pin hole at each corner and two by the top peg hole which can be easily matted out. There are two pin holes, side-by-side and in the artwork located halfway across the bottom. As pinning up storyboards for evaluation was often part of the creative process, this is fairly common for this type of work. US$ 395 (unframed). Add this piece to your collection for only US$79 a month. OSDCS18 |
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| 1948 | |||||
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Production cel and production background of Woody Woodpecker and Buzz Buzzard The Original Production Background is from The Hollywood Matador (1942). The cel has been taped to the production background at the upper corners. There is tape and tape residue along the upper edge between the peg holes and along the lower right edge of the background. The peg holes in the background exhibit signs of wear and there is some discoloration to the paper border around the artwork. These can all be easily matted out. There are some dark smudges in the green of Woody Woodpecker’s eyes and evidence of line wear in the elbow of Buzz Buzzard. Signed by: Walter Lantz The size of this piece is 12 Field (11"x13") and the character size is 6" h x 6.25" w. (unframed). UNICS1 |
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| 1956 | |||||
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Master set-up of Gene Kelly Invitation to the Dance is a 1956 anthology film consisting of three distinct stories, all starring and directed by Gene Kelly. This cel from the third act, “Sinbad the Sailor”, features a live action Kelly with an animated dancer. The movie was filmed in 1952, but its release was delayed until 1956 because of doubts at Metro-Goldwyn-Mayer about its commercial viability. The movie was a failure at the box office, but is regarded today as a landmark all-dance film. Gene Kelly's character is applied to the same cel as the dancer. The cels are attached to the background with staples along the upper edge, which is easily matted out. The size of this piece is 12 Field (11"x13") and the character size is 6" h x 8" w. (unframed). WBMCS8 |
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| 1968 | |||||
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Production cel and production background of Batman This piece includes an original background and production cel. The background is a hand-painted production background, but we cannot verify the exact cartoon from which it is from. The size of this piece is 12 Field (11"x13") and the character size is 5.5" h x 6" w. US$ 350 (unframed). Add this piece to your collection for only US$70 a month. BTCVR1 |
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| 1973 | |||||
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Production cel of Wonder Woman This piece has been trimmed 10.5" x 16.5". Some line wear. The character size is 2.5" h x 4.5" w. US$ 75 (unframed). SPHCDM1 |
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Production cel of Wonder Woman This piece has been trimmed to 10.5" x 16.5". There is some line wear. The size of this piece is 12 Field (11"x13") and the character size is 2.5" h x 4" w. US$ 75 (unframed). SPHCDM2 |
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Production cel of Wonder Woman Quite a bit of line wear and paint missing in boots. The size of this piece is 12 Field (11"x13") and the character size is 4.5" h x 2.5" w. US$ 125 (unframed). SPHCDM3 |
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Production cel of Wonder Woman Some paint missing in her boots. The size of this piece is 12 Field (11"x13") and the character size is 4.5" h x 2.5" w. US$ 150 (unframed). SPHCDM4 |
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Production cel Exhibits a little bit of line wear. The size of this piece is 12 Field (11"x13") and the character size is 6" h x 8" w. US$ 50 (unframed). SPHCDM8 |
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Production cel of Wonder Woman This piece measures 10.5" 16.5". Quite a bit of line wear and some light blue ink smears. Not a lot noticeable. The character size is 2" h x 3" w. US$ 50 (unframed). SPHCDM9 |
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| 1982 | |||||
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Production cel of Banjo and some cats The gang's all here! A non-production background is included with the artwork. The size of this piece is 12 Field (11"x13") and the character size is 9" h x 12" w. (unframed). DBCTST1 |
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Production cel of Banjo The size of this piece is 12 Field (11"x13") and the character size is 4" h x 6.25" w. (unframed). DBCTST2 |
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| 1986 | |||||
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Storyboard of Fievel Very detailed original animation production storyboard. There is a tack hole in the upper corners of the paper. This piece measures 8.5" x 11". The character size is 8.5" h x 11" w. US$ 275 (unframed). Add this piece to your collection for only US$55 a month. UNIFIEV4 |
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Storyboard of Fievel and Warren T. Rat This piece portrays a scene where Fievel initially gets fooled into trusting Warren's evil schemes! This piece measures 8.5" by 11" and also includes some production notes and character lines (Warren says, "You've come to the right fella kid.") The panel is numbered 40. There are some minor signs of handling, otherwise this piece is in excellent condition The character size is 6" h x 6" w. US$ 195 (unframed). UNIFIEV53 |
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| 1997 | |||||
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Production drawing of Xena Signed by: Lucy Lawless The size of this piece is 12 Field (11"x13") US$ 195 (unframed). UNIXD13 |
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Production drawing of Xena Signed by: Lucy Lawless The size of this piece is 12 Field (11"x13") US$ 195 (unframed). UNIXD4 |
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Production drawing of Xena Signed by: Lucy Lawless The size of this piece is 12 Field (11"x13") US$ 195 (unframed). UNIXD5 |
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Production drawing of Xena Signed by: Lucy Lawless The size of this piece is 12 Field (11"x13") US$ 195 (unframed). UNIXD6 |
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Production drawing of Xena The size of this piece is 12 Field (11"x13") US$ 75 (unframed). UNIXD17 |
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Production drawing of Xena Signed by: Lucy Lawless The size of this piece is 12 Field (11"x13") US$ 175 (unframed). UNIXD7 |
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Production drawing of Xena Signed by: Lucy Lawless The size of this piece is 12 Field (11"x13") US$ 195 (unframed). UNIXD9 |
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Production drawing of Xena Signed by: Lucy Lawless The size of this piece is 12 Field (11"x13") US$ 195 (unframed). UNIXD18 |
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Production drawing of Xena Signed by: Lucy Lawless The size of this piece is 12 Field (11"x13") US$ 195 (unframed). UNIXD19 |
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Production drawing of Xena Signed by: Lucy Lawless The size of this piece is 12 Field (11"x13") US$ 195 (unframed). UNIXD3 |
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