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Ren animation Production Cel
  Ren and Stimpy
Production cel of Ren and Stimpy
What's it!! Super great scene of the two best buddies on a chair!! What a classic!!
The size of this piece is 12 Field (11"x13") and the character size is 6.5" h x 8" w.
US$ 250 (unframed).
Add this piece to your collection for only US$50 a month.

RSCGN1
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Betty Boop animation Production Cel
  Betty Boop (Korean Remake)
Production cel of Betty Boop
Framed, this piece measures 21" x 25.25".

The piece has quite a lot of paint separation in the various frames.
The character size is 7" h x 6" w.
US$ 200 (framed).

OSCTD5
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some bears animation Production Cel
  Other Studios
Production cel of some bears
We don’t know what this is from, but it's really cute!
The size of this piece is 12 Field (11"x13") and the character size is 6.5" h x 4.5" w.
US$ 250 (unframed).
Add this piece to your collection for only US$50 a month.

OSCVR3
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the Pink Panther animation Production Cel
  The Pink Panther
Production cel of the Pink Panther
If you were to own one Pink Panther cel, this is the one!
The size of this piece is 12 Field (11"x13") and the character size is 7.25" h x 7" w.
US$ 395 (unframed).
Add this piece to your collection for only US$79 a month.

PPCPPB175
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NA animation Comic Strip
  Dream of the Rarebit Fiend
Comic strip
Dated 1907. The actual strip measures 19.5" x 14.0" while the backing board measures 21.0" x 15.75". Signed by Silas AKA Winsor McCay.
The strip has been affixed to a backing board. Somewhat visible in the web image, there are 7 minor perforations in the strip; by the right edge at the upper right corner, by lower left corner of the 1st frame, by the left edge of the 2nd frame, by the right edge of the 4th frame, by the lower left corner of the 5th frame and by the upper right corner of the 8th frame. There is a tinge of color change along the extreme outer edges which can be easily matted out. The title text is separate and has been affixed to the comic artwork. As visible in the web image, there is darker discoloration in the title text and along its edges.
US$ 5500 (unframed).
Add this piece to your collection for only US$1100 a month.

OSTCS6
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Grimlock animation Storyboard
  The Transformers (TV Series c. 1980s)
Storyboard of Grimlock and Sludge
The artwork measures 8.5" x 11". Printed on the lower right corner is " Marvel Productions LTD"
From the Estate of Artist and Animator Robert Alan Smith.
There is a 2.25" crease across the upper left corner and a the upper and lower right corners exhibit signs of handling. A blue 'X' has been marked across tape that is covering three illustrated frames.
 (unframed).

OSDCS6



Transformers animation Storyboard
  The Transformers (TV Series c. 1980s)
Storyboard of Transformers and Dinobots
The artwork measures 8.5" x 11". Printed on the lower right corner is " Marvel Productions LTD"
From the Estate of Artist and Animator Robert Alan Smith.
There is a 2.25" fold across the upper left corner.
 (unframed).

OSDCS5



Optimus Prime animation Storyboard
  The Transformers (TV Series c. 1980s)
Storyboard of Optimus Prime and Ironhide
The artwork measures 8.5" x 11". Printed on the lower right corner is " Marvel Productions LTD"
From the Estate of Artist and Animator Robert Alan Smith.
There is a 2.25" crease across the upper left corner.
The size of this piece is 12 Field (11"x13")
 (unframed).

OSDCS7



Spock animation Production Cel and Production Background
  Star Trek (1970s)
Production cel and production background of Spock
A classic cel!
The size of this piece is 12 Field (11"x13") and the character size is 8" h x 9" w.
 (unframed).

OSCBB80



Felix The Cat animation Production Cel and Production Background
  Felix the Cat TV series ( c. 1950s)
Production cel and production background of Felix The Cat and the Professor
As visible in the web image, some paint loss has occurred in the Professor; a 0.5" x 1.0" area in the head with minor areas throughout the face and an area 0.25" x 0.4" to the hand. Some specks of paint loss have occurred in the bag and miniscule specks in Felix's face. The cel is taped to the background by the upper corners and as is visible in the web image, there are reddish-brown smudges to the background and slight soiling along the outer edges and upper right corner of the cel; these can be easily matted out. There are minor specks of superficial grime around the Professor and throughout the cel with some smudges which are not too discernible against the color background. There is a tear in the background of 1.0" to the left edge located 2.5" above the lower left corner. There is some paper loss to the background along the right edge; 0.75" x 0.25" and 0.13" located 3.0" and 1.5" above the lower right corner.
The size of this piece is 12 Field (11"x13") and the character size is 2" h x 4.25" w.
 (unframed).

OSM2



Woody Woodpecker animation Production Drawing
  Walter Lantz
Production drawing of Woody Woodpecker

Signed by: Walter Lantz

The size of this piece is 12 Field (11"x13") and the character size is 4" h x 3.25" w.
 (unframed).

OSDCS8



1914
Gertie the dinosaur animation Production Drawing
  Gertie the Dinosaur (1914)
Production drawing of Gertie the dinosaur
The character size is 4.75" h x 5" w.
 (unframed).

OSD23
Gertie the dinosaur animation Production Drawing
  Gertie the Dinosaur (1914)
Production drawing of Gertie the dinosaur
This is an amazing piece of animation history! Windsor McCay pioneered the field of animation with his short works Little Nemo and How a Mosquito Operates but he is possibly best known for his masterpiece Gertie the Dinosaur. McCay’s early works were not created with cels laid over backgrounds like traditional animation, rather he drew each drawing on translucent rice paper with India ink. This wonderful piece featuring Gertie as she swallows the stump of a tree in one big gulp is a fantastic example of McCay’s animation process.
The drawing measures 6.75" x 8.5".
As visible in the image, the artwork is affixed to a backing board with slight discoloration along the extreme upper and lower edges.
There is slight evidence of paper loss and tearing toward the extreme upper left corner, which can easily be matted out.
 (unframed).

OSDCS1



1934
Betty Boop animation Production Cel
  Poor Cinderella (1934)
Production cel of Betty Boop
The size of this piece is 12 Field (11"x13")
 (framed).

OSC22



1935
Betty Boop animation Production Drawing
  Judge for a Day (1935)
Production drawing of Betty Boop
This is the first time we've seen a drawing from this 1935 short!
As visible in the web image, there are smudges and specks of black throughout the drawing. There are creases of 2.0" - 0.5" across the upper right corner and lower and a 0.5" fold across the lower left corner which can be easily matted out.
The size of this piece is 12 Field (11"x13") and the character size is 3" h x 1" w.
 (unframed).

OSDCS12
Popeye animation Color Reference Drawing
  Dizzy Divers (1935)
Color reference drawing of Popeye and Olive Oyl
This is the first time we've seen a drawing from this 1935 short!
There are some very faint creases of 1.5" across the lower right corner which can be easily matted out.
The size of this piece is 12 Field (11"x13") and the character size is 3.5" h x 4" w.
 (unframed).

OSDCS13



1939
some townspeople animation Key Master Set-up
  Gulliver's Travels (1939)
Key master set-up of some townspeople
Little Lilliputians push and pull the giant mechanism that is holding the prone Gulliver in place.
The scene appears at 29:34 in the film.
Cel is taped to the background by the upper corners and is slightly wavy which is fairly common for animation cels of this age. There is a tinge of color change in the border of the background and there is some surface paper loss along the extreme lower edge which can be easily matted out. The cel has been stapled to the background by two staples and there is a 0.5" x 0.5" tear in the cel by the staples at the upper left corner and within the border which can be easily matted out. There is a 0.125" x 0.125" area of paper loss to the background with a tear 0.25" in length in the border by the upper left corner. There is very slight paint lifting in the hair of the middle character which is visible upon close inspection. There is evidence of a pin hole to the background 0.25" above the middle peg hole and evidence of staple holes to the background and cel where the border and artwork meet; one at each lower corner and one halfway across the lower edge.
The size of this piece is 12 Field (11"x13") and the character size is 6.75" h x 5" w.
 (unframed).

OSMCS6



1948
Woody Woodpecker animation Production Cel and Production Background
  Wet Blanket Policy (1948)
Production cel and production background of Woody Woodpecker and Buzz Buzzard
The Original Production Background is from The Hollywood Matador (1942).
The cel has been taped to the production background at the upper corners. There is tape and tape residue along the upper edge between the peg holes and along the lower right edge of the background. The peg holes in the background exhibit signs of wear and there is some discoloration to the paper border around the artwork. These can all be easily matted out. There are some dark smudges in the green of Woody Woodpecker’s eyes and evidence of line wear in the elbow of Buzz Buzzard.
Signed by: Walter Lantz

The size of this piece is 12 Field (11"x13") and the character size is 6" h x 6.25" w.
 (unframed).

UNICS1



1956
Gene Kelly animation Master Set-up
  Invitation to the Dance (1956)
Master set-up of Gene Kelly
Invitation to the Dance is a 1956 anthology film consisting of three distinct stories, all starring and directed by Gene Kelly. This cel from the third act, “Sinbad the Sailor”, features a live action Kelly with an animated dancer. The movie was filmed in 1952, but its release was delayed until 1956 because of doubts at Metro-Goldwyn-Mayer about its commercial viability. The movie was a failure at the box office, but is regarded today as a landmark all-dance film.

Gene Kelly's character is applied to the same cel as the dancer. The cels are attached to the background with staples along the upper edge, which is easily matted out.
The size of this piece is 12 Field (11"x13") and the character size is 6" h x 8" w.
 (unframed).

WBMCS8



1968
Batman animation Production Cel and Production Background
  Batman (1968)
Production cel and production background of Batman
This piece includes an original background and production cel. The background is a hand-painted production background, but we cannot verify the exact cartoon from which it is from.
The size of this piece is 12 Field (11"x13") and the character size is 5.5" h x 6" w.
US$ 350 (unframed).
Add this piece to your collection for only US$70 a month.

BTCVR1
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1982
NA animation Concept Piece
  The Grinch Grinches the Cat in the Hat (1982)
Concept piece
Text in graphite in the left margin reads, "Change hole color and warm the walls." This painting on art board measures 7.0" x 9.0".
There is masking tape and tape residue in the back of the piece along the edges.
US$ 195 (unframed).

OSABPB1
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NA animation Concept Piece
  The Grinch Grinches the Cat in the Hat (1982)
Concept piece
This painting on art board measures 7.25" x 10.5".
There is masking tape and tape residue in the back of the piece along the edges. Noticeable upon close inspection is very slight cockling along the upper edge by the upper right corner.
US$ 450 (unframed).
Add this piece to your collection for only US$90 a month.

OSABPB2
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NA animation Concept Piece
  The Grinch Grinches the Cat in the Hat (1982)
Concept piece
This painting on art board measures 15.0" x 6.75".
There is tape residue in the back of the piece along the edges. As visible in the web image, there are some areas of surface paper loss which can be easily matted out; at the lower right corner and a small spot halfway across the lower edge.
US$ 650 (unframed).
Add this piece to your collection for only US$130 a month.

OSABPB3
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Available on Layaway
the Grinch animation Character Study
  The Grinch Grinches the Cat in the Hat (1982)
Character study of the Grinch
The size of this piece is 12 Field (11"x13")
US$ 495 (unframed).
Add this piece to your collection for only US$99 a month.

OSDBPB1
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Available on Layaway
the Grinch animation Character Study
  The Grinch Grinches the Cat in the Hat (1982)
Character study of the Grinch
There is a tiny crease of 0.5" acorss the upper right corner and very light creases of 1-3" across the upper left corner; evidence of handling which is common in this type of work.
The size of this piece is 12 Field (11"x13")
US$ 395 (unframed).
Add this piece to your collection for only US$79 a month.

OSDBPB2
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Available on Layaway
Max animation Production Drawing
  The Grinch Grinches the Cat in the Hat (1982)
Production drawing of Max
This drawing has been trimmed of its' peg holes and then taped to a separate sheet of peg holes at the top. As visible in the web image, there is a light vertical fold down the piece located 0.5" to the right of the character. There is evidence of light handling which is common for this type of work. Visible upon close inspection is a 2.25" area of slight surface paper loss above the character's tail.
The size of this piece is 12 Field (11"x13") and the character size is 2.5" h x 5" w.
US$ 195 (unframed).

OSDBPB3
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Banjo animation Production Cel
  Banjo, The Woodpile Cat (1982)
Production cel of Banjo and some cats
The gang's all here!
A non-production background is included with the artwork.
The size of this piece is 12 Field (11"x13") and the character size is 9" h x 12" w.
 (unframed).

DBCTST1
Banjo animation Production Cel
  Banjo, The Woodpile Cat (1982)
Production cel of Banjo
The size of this piece is 12 Field (11"x13") and the character size is 4" h x 6.25" w.
 (unframed).

DBCTST2



1986
Fievel animation Storyboard
  An American Tail (1986)
Storyboard of Fievel
Very detailed original animation production storyboard. There is a tack hole in the upper corners of the paper.
This piece measures 8.5" x 11".
The character size is 8.5" h x 11" w.
 (unframed).

UNIFIEV4
Fievel animation Storyboard
  An American Tail (1986)
Storyboard of Fievel and Warren T. Rat

This piece portrays a scene where Fievel initially gets fooled into trusting Warren's evil schemes!
This piece measures 8.5" by 11" and also includes some production notes and character lines (Warren says, "You've come to the right fella kid.") The panel is numbered 40.
There are some minor signs of handling, otherwise this piece is in excellent condition
The character size is 6" h x 6" w.
 (unframed).

UNIFIEV53



1997
Xena animation Production Drawing
  The Battle for Mount Olympus (1997)
Production drawing of Xena
Signed by: Lucy Lawless

The size of this piece is 12 Field (11"x13")
US$ 195 (unframed).

UNIXD13
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Xena animation Production Drawing
  The Battle for Mount Olympus (1997)
Production drawing of Xena
Signed by: Lucy Lawless

The size of this piece is 12 Field (11"x13")
US$ 195 (unframed).

UNIXD4
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Xena animation Production Drawing
  The Battle for Mount Olympus (1997)
Production drawing of Xena
Signed by: Lucy Lawless

The size of this piece is 12 Field (11"x13")
US$ 195 (unframed).

UNIXD5
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Xena animation Production Drawing
  The Battle for Mount Olympus (1997)
Production drawing of Xena
Signed by: Lucy Lawless

The size of this piece is 12 Field (11"x13")
US$ 195 (unframed).

UNIXD6
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Xena animation Production Drawing
  The Battle for Mount Olympus (1997)
Production drawing of Xena
The size of this piece is 12 Field (11"x13")
US$ 75 (unframed).

UNIXD17
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Xena animation Production Drawing
  The Battle for Mount Olympus (1997)
Production drawing of Xena
Signed by: Lucy Lawless

The size of this piece is 12 Field (11"x13")
US$ 175 (unframed).

UNIXD7
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Xena animation Production Drawing
  The Battle for Mount Olympus (1997)
Production drawing of Xena
Signed by: Lucy Lawless

The size of this piece is 12 Field (11"x13")
US$ 195 (unframed).

UNIXD9
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Xena animation Production Drawing
  The Battle for Mount Olympus (1997)
Production drawing of Xena
Signed by: Lucy Lawless

The size of this piece is 12 Field (11"x13")
US$ 195 (unframed).

UNIXD18
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Xena animation Production Drawing
  The Battle for Mount Olympus (1997)
Production drawing of Xena
Signed by: Lucy Lawless

The size of this piece is 12 Field (11"x13")
US$ 195 (unframed).

UNIXD19
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Xena animation Production Drawing
  The Battle for Mount Olympus (1997)
Production drawing of Xena
Signed by: Lucy Lawless

The size of this piece is 12 Field (11"x13")
US$ 195 (unframed).

UNIXD3
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Animation Art