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Newest Art Additions

Wonderful World of Animation adds new art every day!!
Here we picture our 50 most recent animation art and pop art additions.
Please bookmark the page and continue to visit us here to see our newest art and artists.
We update this art page twice a week.


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Lady animation Giclee on Canvas
Walt Disney's Lady and the Tramp
A Serenade for Lady
Edition Size: 1500
Giclee on canvas of Lady and Tramp
Gallery-Wrapped
8" x 21"
Signed by: Michelle St. Laurent

US$ 125 (unframed).

WDGASFL
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NA animation Giclee on Canvas
Disney
Royal Reflection
Edition Size: 1500
Giclee on canvas
Gallery-Wrapped
18" x 12"
Signed by: Rodel Gonalez

US$ 125 (unframed).

WDGROYR
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the Dot animation Production Cel
The Dot and the Line (1966)
Production cel of the Dot and the Line
Signed by: Chuck Jones

The size of this piece is 12 Field (11"x13")
(unframed).

CJC106
Wonder Woman animation Giclee on Canvas
DC Superheroes
Wonder Woman (Jim Lee)
Edition Size: 100
Giclee on canvas of Wonder Woman
official release day is June 22nd
Giclee on Canvas pre-order special $825, upon release $875.00
Image area: 26"x 17", edition size 100
Giclee on Canvas pre-order special $400, upon release $450.00 unframed retail.
Image area: 21" x 14", edition size 250
Signed by: Jim Lee

US$ 825 (unframed).

WBGWWJL
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Wonder Woman animation Giclee on Paper
DC Superheroes
Wonder Woman: Defender of Truth
Edition Size: 50
Giclee on paper of Wonder Woman
IMAGE SIZE: 24 W x 161/2 H
PRINT SIZE: 28 W x 20 H
Wonder Woman: Defender of Truth is an illustration by Alex Ross for the graphic novel Wonder Woman: Spirit and Truth.
Captured in this visual montage is the Super Hero taking on adversaries that seek to destroy the values she holds true. Strength, virtue, beauty, grace, and empathy for those in need are but a few attributes of the Amazon Warrior. Wonder Woman, although fictional, is a character that exemplifies qualities of which all should aspire.
Alex Ross signs each print.
Also available $525 For APs/PPs (15AP/15PP/15EP) - please inquire
Signed by: Alex Ross

US$ 395 (unframed).

ARGWWDOT
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NA animation Oil on Masonite
Eyvind Earle
Oil on masonite
Mostly renowned for his backgrounds Earle created for Disney feature films like Sleeping Beauty and Lady and the Tramp, Earle had a career spanning nearly 70 years. He first exhibited his artwork in France when he was just 14 and went on to have his paintings and artwork collected and revered throughout the world. He has work in the Metropolitan Museum of Art’s permanent collection, and has had major shows and one-man exhibitions all over the world.
In 1996, Earle wrote: "For 70 years I've painted paintings, and I'm constantly and everlastingly overwhelmed at the stupendous infinity of creation...Art is the search for truth."
The majority of Earle’s original artworks focus on the landscape of California, predominantly the central coast. In this magnificent piece, he’s captured the setting light sprinkled amongst the trees and we see the artist's mastery at creating depth through the rolling hills disappearing quietly into the distance.
The piece measures 20" x 16" with the frame measuring 34" x 30.25". Price is reflective of the art only--the piece comes with the frame pictured. There is no change in price due to the frame--it can be de-framed upon request at purchase, but it will not change the price of the piece.
Comes with WWA Certificate of Authenticity.
There are splatters of paint along the top of the inner and outer frames only.
US$ 15000 (framed).

EEACS1
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Dopey animation Courvoisier Cel
Snow White and the Seven Dwarfs (1937)
Courvoisier cel of Dopey and a fly
Dopey regards a small visitor with classic wonderment in this expressive Courvoisier set-up.
This piece measures 9.25" x 10".
Cel is slightly wavy which is fairly common for vintage animation cels. The light reflection is only visible in the web image only and is not on the actual piece. The cel is taped to the background halfway across each edge and there is tape and adhesive residue along the edges; these can be easily matted out. There is some glue residue from the cel which can be seen as the cel has separated slightly from the background. As visible in the web image, some minor paint separation and paint loss has occurred in the character's hat and there is a 0.25" x 0.25" area of paint separation with paint loss and lifting in the right side of the character's collar. There is slight lifting in the eyes of the fly, in the left side of Dopey's face and lower edges of his clothing.
The size of the image is 4.25" h x 5" w.
US$ 2800 (unframed).

WDC1369
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the Big Bad Wolf animation Publicity Drawing
The Practical Pig (1939)
Publicity drawing of the Big Bad Wolf and the Three Little Pigs
As visible in the web image, there is a vertical crease down the center of the piece. There are multiple pin holes located halfway across the upper edge. As pinning up work for evaluation was often part of the creative process, this is fairly common for this type of work.
The size of this piece is 12 Field (11"x13")
US$ 3000 (unframed).

WDDCS657
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the Simpson Family animation couch gag
The Simpsons
Couch gag of the Simpson Family
This couch gag was first used in 9F05 "Marge Gets a Job" during Season 4 ('92-'93) and then on 9F17 "So It's Come To This: A Simpsons Clip Show" later that year.
The cels are taped together at the lower corners which can be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 5" h x 3.75" w.
(unframed).

SIMCCS159
the Jetsons Family animation Title Card Drawing
the Jetsons cartoon series (c. 1960s)
Title card drawing of the Jetsons Family
The text " The Jetsons" is a painted cel overlay.
The cel is taped to the background halfway across the extreme upper edge; this can be easily matted out. As is visible in the web image, the drawing has some light smudges and mostly concentrated at the lower right side of the flying car with very slight staining and a slight tonality difference around the character most likely from previous matting.
The size of this piece is 12 Field (11"x13") and the size of the image is 5" h x 9" w.
US$ 1400 (unframed).

HBCCS52
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Jiminy Cricket animation Courvoisier Cel
Pinocchio (1940)
Courvoisier cel of Jiminy Cricket
This Courvoisier set-up shows Pinocchio's diminitive protector standing proud!
The framed piece measures 11" x 10" with the aperture measuring 4.5" x 4.25".
There is very slight glue residue from the cel visible as the cel has separated very slightly from the background.
The size of the image is 3" h x 2" w.
US$ 1950 (framed).

WDCCS660
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Dopey animation Courvoisier Cel
Snow White and the Seven Dwarfs (1937)
Courvoisier cel of Dopey and some fish
Silly Dopey and a fish playfully tease one another in this charming Courvoisier set-up.
The fish characters are from the Silly Symphony production "Wynken Blynken And Nod" (1938) . The framed piece with wonderfully hand-embelishd matte measures 17" x 17" with the aperture diameter measuring 6.25".
Cel has become slightly wavy which is fairly common for vintage animation cels. There is some slight lifting throughout the left fish and some in thr right fish and along the lower edge of Dopey's robe but no paint loss. There is slight line wear throughout.
US$ 1850 (framed).

WDCCS662
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Mickey Mouse animation Color Reference Drawing
Pluto's Day (1956)
Color reference drawing of Mickey Mouse and Pluto
Production notes in affixed blue paper reads, " Jean: Please return to V.6. to have airbrush added."
There is a tinge of color change along the outer edges. There is evidence of multiple pin holes at the upper left corner; As pinning up work for evaluation was often part of the creative process, this is fairly common for this type of work. There is evidence of light handling throughout the piece which is typical for studio-production material.
The size of this piece is 16 Field (13"x16")
US$ 1150 (unframed).

WDDCS651
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Figaro animation Courvoisier Cel
Pinocchio (1940)
Courvoisier cel of Figaro
The framed piece of a nicely sized Figaro measures 13.5" x 12.25" with the aperture measuring 6" x 5.75".
There is very slight glue residue from the cel visible as the cel has separated very slightly from the background.
The size of the image is 4.25" h x 4" w.
US$ 1500 (framed).

WDCCS661
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Mickey Mouse animation Color Reference Drawing
Mickey's Kangaroo (1935)
Color reference drawing of Mickey Mouse and a kangaroo
Oh boy, is this piece cute! An adorable drawing of Mickey holding the kangaroo baby.
This piece exhibits slight age toning with evidence of handling at the upper left side and along the edge which is typical for studio-production material.
The size of this piece is 12 Field (11"x13") and the size of the image is 4.5" h x 4" w.
US$ 1500 (unframed).

WDDCS656
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Yogi Bear animation Publicity Drawing
Hanna-Barbera (c.1960s)
Publicity drawing of Yogi Bear and Boo Boo
The border around the drawing measures 8" x 10".
There is miniscule paper loss to the tip of the upper left corner and a light 1" crease across the lower right corner; these can be easily matted out.
The size of this piece is 12 Field (11"x13")
US$ 1000 (unframed).

HBDCS11
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NA animation Production Background
The Tigger Movie (2000)
Production background
This piece measures 11.5" x 18.25".
The overlay effects cel is comprised of line work and taped to the watercolor background at the upper and lower corners and along the lower edge. A separate piece of paper measuring 1" x 18" and with drawn peg holes is taped to the upper edge but is not significant to the overall piece.
(unframed).

WDMCS91
Jafar animation Production Drawing
Aladdin (1992)
Production drawing of Jafar
As shown in the web image, the signature is on a separate cel which accompanies the piece.
This drawing displays evidence of light handling which is typical for studio-production material.
Signed by: Andreas Deja

The size of this piece is 16 Field (13"x16") and the size of the image is 11" h x 11.75" w.
US$ 475 (unframed).

WDDCS668
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NA animation Master Background
The Tigger Movie (2000)
Master background
Artwork measuring 10" x 16.5" painted on 14" x 17.75" art board.
The black outlines and the branch in the lower right corner are created on separate overlay cels. The two cels are taped to the painted background at the corners and along the edges; this can be easily matted out.
US$ 800 (unframed).

WDMCS92
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Mickey Mouse animation Storyboard
Disney Studios (c. 1930s)
Storyboard of Mickey Mouse
This piece was created for the unproduced Walt Disney Studio film "Pilgrim Mickey" (1938).
This piece measures 6.5" x 8.5" with the margins measuring 5.25" x 7.25".
There is evidence of three pin holes within the upper margins. As pinning up work for evaluation was often part of the creative process, this is fairly common for this type of work.
US$ 800 (unframed).

WDDCS663
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Wile E. Coyote animation Production Drawing
Hare-Breadth Hurry (1963)
Production drawing of Wile E. Coyote
Production stamp at lower left corner reads, " Trace well clear of indicated field."
There are some tears to the left edge; 0.75" and 0.5" located 1" and 2.25" below the upper left corner and two 0.125" tears located 3.5" above the lower left corner and halfway down the left edge; these can all be easily matted out. There is evidence of light handling throughout the piece which is typical for studio-production material.
The size of this piece is 12 Field (11"x13") and the size of the image is 3.5" h x 10.75" w.
(unframed).

WBDCS38
Donald Duck animation Production Cel
Disney Studios (c. 1940s)
Production cel of Donald Duck
The aperture measures 5.5" x 5.0" while the matte measures 10" x 9".
Cel is slightly wavy which is fairly common for vintage animation cels. The light reflection is only visible in the web image only and is not on the actual piece. There is slight lifting with no paint loss throughout the character.
The size of the image is 3.75" h x 4" w.
US$ 450 (matted).

WDCCS674
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Mickey Mouse animation Production Drawing
The Whalers (1938)
Production drawing of Mickey Mouse
There is a very slight tinge of discoloration at the corners and extreme outter edges which can be easily matted out. As visble in the web image, there are miniscule dark specks to the left of the character by the left edge.
The size of this piece is 12 Field (11"x13") and the size of the image is 4.5" h x 7.5" w.
US$ 725 (unframed).

WDDCS662
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a Gorilla animation Color Reference Drawing
Elmer Elephant (1936)
Color reference drawing of a Gorilla and an ostrich
There is a tinge of color change along the outer edges and a tiny 0.25" crease across the upper left corner which can be easily matted out. There is evidence of light handling throughout the piece which is typical for studio-production material.
The size of this piece is 12 Field (11"x13") and the size of the image is 6.75" h x 8" w.
US$ 725 (unframed).

WDDCS648
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Merryweather animation Disneyland Cel Set-up
Sleeping Beauty (1959)
Disneyland cel set-up of Merryweather
The aperture measures 6.25" x 9.25" while the matte measures 9" x 12".
This piece comes in the original matte with Disneyland Art Corner seal in the back.
As visible in the web image, there is dark discoloration along the edges of the matte and two spots at the top matte. Cel is slightly wavy which is fairly common for vintage animation cels. The light reflection is only visible in the web image only and is not on the actual piece. There is light lifting in the character's head, face and throughout the cape. There is very slight paint separation with no paint loss in the left side of the character's head and around the eyes, in the middle and left side of the cape and right hand.
The size of the image is 6.25" h x 5.75" w.
US$ 550 (matted).

WDCCS672
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the Genie animation Production Drawing
Aladdin (1992)
Production drawing of the Genie

The size of this piece is 16 Field (13"x16") and the size of the image is 6.25" h x 7.5" w.
US$ 400 (unframed).

WDDCS669
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Spike animation Layout Drawing
The Counterfeit Cat (1949)
Layout drawing of Spike
Red production notes within the drawing reads, "Omit door it animates. Paint inside of house."
There are multiple pin holes at the upper corners and along the uper edge located within and near the margin area. Not very noticeable are a few additional pin holes scattered throughout the piece. As pinning up work for evaluation was often part of the creative process, this is fairly common for this type of work.
The size of this piece is 12 Field (11"x13")
US$ 675 (unframed).

OSDCS26
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Mr. Jinks animation Layout Drawing
Hanna-Barbera (c.1960s)
Layout drawing of Mr. Jinks and Pixie and Dixie
The red border around the characters measures 6.5" x 8.75".
Production notes at the lower right corner reads "Too large. Use pin with cat for sizes."
There are three small tears to the left edge; 0.25" located 1.5" below the upper left corner, 0.5" and 0.25" located 3.75" and 1.5" above the lower right corner. These can all be easily matted out. There is a 0.5" fold across the lower left corner, 1" crease across the upper right corner and 3.5" crease across the upper left corner; these can all be easily matted out. The piece displays evidence of handling throughout which is typical for studio-production material.
The size of this piece is 12 Field (11"x13")
US$ 625 (unframed).

HBDCS12
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Hardy Har Har animation Color Model Cel
Hanna-Barbera (c.1960s)
Color model cel of Hardy Har Har and Lippy Lion

Signed by: Bob Singer

The size of this piece is 12 Field (11"x13")
US$ 600 (unframed).

HBCCS53
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Dum Dum the Dog animation Model Drawing
Hanna-Barbera (c.1960s)
Model drawing of Dum Dum the Dog and Touche Turtle
As visible in the web image, there is a tinge of discoloration along the left edge and along the outer upper and lower edges; these can be easily matted out. Also visible in the web image, there are two spots of discoloration to the right of the character Touche Turtle. There is minuscule paper loss to the tip of the lower left corner which can be easily matted out.
Signed by: Iwao Takamoto

The size of this piece is 12 Field (11"x13")
US$ 600 (unframed).

HBDCS14
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the Moth  animation Production Drawing
The Moth and the Flame (1938)
Production drawing of the Moth
There is discoloration along the upper edge and there is a small 0.25" tear to the lower edge below the middle peg hole; these can be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 3.5" h x 3.25" w.
US$ 575 (unframed).

WDDCS660
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Elmer Fudd animation Production Drawing
Don't Axe Me (1958)
Production drawing of Elmer Fudd
Production notes at the lower right corner reads, "Puts razor into pocket- walking off to rt."
As visible in the web image, there are multiple vertical creases as a result of folding at the left side. Clear tape has been placed on verso along the upper edge and over the middle and right peg holes. These can be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 5.5" h x 3.25" w.
US$ 400 (unframed).

WBDCS41
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Donald Duck animation Production Drawing
Orphan's Picnic (1936)
Production drawing of Donald Duck
The red "S" is affixed via adhesive and there is visible adhesive residue along the upper ege of the letter.
The size of this piece is 12 Field (11"x13") and the size of the image is 4" h x 5" w.
US$ 400 (unframed).

WDDCS655
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Madam Mim as hen animation Color Model Cel
The Sword in the Stone (1963)
Color model cel of Madam Mim as hen
Cel is slightly wavy which is fairly common for animation cels of this age. There is evidence of a staple hole at each corner which can be easily matted out.
The size of this piece is 16 Field (13"x16")
US$ 400 (unframed).

WDCCS664
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the Big Bad Wolf animation Production Drawing
The Practical Pig (1939)
Production drawing of the Big Bad Wolf
There is a tinge of color change along the outer edges and a 1" crease across the lower left corner with paper loss at the tip of the lower left corner which can be easily matted out. There is a light 4" crease across the lower right corner. There is evidence of light handling throughout the piece which is typical for studio-production material.
The size of this piece is 12 Field (11"x13") and the size of the image is 5.5" h x 5.25" w.
US$ 400 (unframed).

WDDCS650
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Madam Mim as a fox animation Color Model Cel
The Sword in the Stone (1963)
Color model cel of Madam Mim as a fox and Merlin as a rabbit
There is evidence of two staple holes and 1.5" folds at and across the upper corners and one at each lower corner which can be easily matted out.
The size of this piece is 16 Field (13"x16")
US$ 400 (unframed).

WDCCS665
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Available on Layaway
the Big Bad Wolf animation Production Drawing
The Practical Pig (1939)
Production drawing of the Big Bad Wolf
There is a slight tinge of color change along the edges which can be easily matted out. There are some creases to the left of the character; evidence of handling which is typical for studio-production material.
The size of this piece is 12 Field (11"x13") and the size of the image is 4.5" h x 6.5" w.
US$ 375 (unframed).

WDDCS658
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Available on Layaway
NA animation Layout Drawing
Wee-Willie Wildcat (1953)
Layout drawing
There is very small paper loss of 0.25" x 1.5" to the lower edge by the lower left corner and slight edge chipping along the lower right corner, these can be matted out. As visible in the web image, the upper peg holes were trimmed and then re-attached with tape which has discolored; this can be matted out. Not very noticeable are pin holes scattered along the left side and a few in the center. As pinning up work for evaluation was often part of the creative process, this is fairly common for this type of work.
The size of this piece is 12 Field (11"x13")
US$ 525 (unframed).

OSDCS27
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an ostrich animation Production Drawing
Elmer Elephant (1936)
Production drawing of an ostrich and a Gorilla
There is a very light tinge of color change along the edges which can be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 6" h x 9.25" w.
US$ 525 (unframed).

WDDCS664
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Donald Duck animation Color Reference Drawing
The Autograph Hound (1939)
Color reference drawing of Donald Duck and a policeman
Production notes in red on the left side reads " Inkers. Place drwgs 10 thru 113 on bottom pegs 1 1/4" left of center & ink on top pegs at center."
The paper has had a tinge of color change around the outer edges only which can be easily matted out. Evidence of light handling throughout.
The size of this piece is 12 Field (11"x13") and the size of the image is 5.5" h x 5.5" w.
US$ 525 (unframed).

WDDCS666
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Available on Layaway
Greta Garbo animation Production Drawing
The Autograph Hound (1939)
Production drawing of Greta Garbo and Clark Gable
There is a light tinge of color change along the outer edges which can be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 5.5" h x 6.5" w.
US$ 525 (unframed).

WDDCS667
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Available on Layaway
Oil Can Harry animation Production Drawing
Mighty Mouse (1942 - 1961)
Production drawing of Oil Can Harry

The size of this piece is 12 Field (11"x13") and the size of the image is 6" h x 4.5" w.
US$ 525 (unframed).

OSDCS29
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NA animation Master Background
The Glass Slipper (1938)
Master background
There is a 1.0" wide black masking tape that has been affixed along the left edge and tape 0.5" wide along the right edge. There is brown masking tape of 0.25' affixed along the upper edge with evidence of pin holes. There is evidence of pin holes at the upper corners within the black tape. As pinning up work for evaluation was often part of the creative process, this is fairly common for this type of work. There is tape residue along the right side of the lower edge and within the margins. There is very slight foxing in the floor by the curtains and within and above the left column.
The size of this piece is 12 Field (11"x13")
(unframed).

OSMCS10
NA animation Master Background
Doomsday (1938)
Master background
There is a 0.5" wide black masking tape that has been affixed along the left edge and tape 0.25" wide along the right edge. A 0.5" wide piece of the upper edge was trimmed from the piece then taped back along the backside.
The size of this piece is 12 Field (11"x13")
(unframed).

OSMCS11
NA animation Production Background
the Jetsons cartoon series (c. 1960s)
Production background
The forefront depiction of the purple building with yellow roof and the words "Solaree" is separately painted and trimmed then affixed to a clear cel overlaying the overall background.
The overlay cel is taped to the painted background with two pieces of masking tape at the lower edge; this can be easily matted out. There is a small speck, approximately 0.125" x 0.125", of paint loss that has adhered to the cel located by the lower left corner.
The size of this piece is 12 Field (11"x13")
US$ 500 (unframed).

HBMCS19
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Rover animation Production Drawing
Don't Axe Me (1958)
Production drawing of Rover
Production note at lower right corner reads, "Motions for Mrs. To wait or stay where she is - Turns rushes off to left."
Clear tape has been placed on verso along the upper edge and over the middle and right peg holes. This can be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 4" h x 5" w.
US$ 350 (unframed).

WBDCS40
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Merlin as a goat animation Color Model Cel
The Sword in the Stone (1963)
Color model cel of Merlin as a goat
Cel is slightly wavy which is fairly common for animation cels of this age. There is evidence of staple holes at each corner and one halfway across the upper edge which can be matted out.
The size of this piece is 16 Field (13"x16")
US$ 350 (unframed).

WDCCS668
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NA animation Layout Drawing
Wee-Willie Wildcat (1953)
Layout drawing
This piece measures 10.5" x 72.5".
Production notes in blue at upper left reads " Johnny - window frames clear across pan are on a cell you complete windows to middle line & frames on cell will cover."
Production notes in red within drawing reads " Johnny, Barney slides out of here. Don't make too dark."
This pan piece consists of multiple sheets of drawing paper stitched together with tape that has browned. The piece exhibits small areas of staining, foxing and evidence of pin holes throughout. As pinning up work for evaluation was often part of the creative process, this is fairly common for this type of work. The piece has been folded multiple times resulting in various vertical creases. There are some tears of 0.25" - 0.5" along the upper and lower edges which can be easily matted out. The piece exhibits handling which is typical for studio-production material.
The size of this piece is Pan
US$ 475 (unframed).

OSDCS28
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NA animation Production Background
The Nutty Network (1939)
Production background
From "The Nutty Network" segment.
There is a 0.5" wide black masking tape that has been affixed along the left edge and some black tape residue at the upper right corner which can be matted out. There is evidence of some pin holes within the margin by the upper left corner which can be matted out. As pinning up work for evaluation was often part of the creative process, this is fairly common for this type of work.
The size of this piece is 12 Field (11"x13")
(unframed).

OSMCS12
Madam Mim as a cat animation Color Model Cel
The Sword in the Stone (1963)
Color model cel of Madam Mim as a cat
Cel is slightly wavy which is fairly common for animation cels of this age. There is evidence of staple holes at each corner and multiple pin holes along the upper edge which can be matted out. There is a 0.5" x 2.5" area of cel loss along the lower left corner and extreme edge, a small 0.25" tear at the upper right corner, 0.5" fold across the lower right corner; these can all be easily matted out.
The size of this piece is 16 Field (13"x16") and the size of the image is 6" h x 6" w.
(unframed).

WDCCS666

     

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