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Newest Art Additions

Wonderful World of Animation adds new art every day!!
Here we picture our 50 most recent animation art and pop art additions.
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the Grinch animation Production Cel
How The Grinch Stole Christmas (1966)
Production cel of the Grinch
There is some slight cel loss just under the rightmost peghole, as well as a tiny hairline tear in the middlemost peghole, both of which could be easily matted out. There is evidence of some slight linewear throughout, namely in Grinch's fingers and face. There is some slight black mottling throughout. There is some slight adhesive residue along the edges of the cel, which could easily be matted out.
Signed by: Chuck Jones

The size of this piece is 12 Field (11"x13") and the size of the image is 8" h x 2.5" w.
US$ 2300 (unframed).

CJCCS56
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the Grinch animation Production Cel with Matching Drawing
How The Grinch Stole Christmas (1966)
Production cel with matching drawing of the Grinch
The frame measures 34.75" x 18.25" inches while the apertures measure 12" x 9.50" inches each.
Both the cel and the drawing are signed by Chuck Jones.
There is evidence of some handling in the drawing, with two creases, one of 1.50" inches and the other 1/2" inch, to the left of the character. There is some very slight crinkling in the paper along the edges, which is not uncommon for production material of this kind. In the cel, there is a tiny 1/4" inch hairline crack in the paint in the Grinch's right thigh, with a small amount of mottling in the same area. There is evidence of some slight linewear throughout, namely in the Grinch's face and hands.
Signed by: Chuck Jones

US$ 2200 (framed).

CJCCS49
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Snoopy animation Production Cel
Peanuts (c. 1960s/1970s)
Production cel of Snoopy
It is our belief that this is likely from a Weber bread commercial.
There is some very slight cel loss under the left peghole, as well as some tiny cracks in the middle and right pegholes, which could be easily matted out. There is some slight linewear in Snoopy's face, body, and his hat. There is evidence of a few tiny flecks of stray paint throughout the cel.
The size of this piece is 12 Field (11"x13") and the size of the image is 3.5" h x 2.5" w.
US$ 495 (unframed).

PNCCS74
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Homer Simpson animation Production Cel
Lisa's Pony (1991)
Production cel of Homer Simpson and a man
Comes with WWA Certificate of Authenticity.
The cels are taped to the background along the upper edge with two small strips of white archival tape, which could be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 5.5" h x 7" w.
US$ 295 (unframed).

SIMCSB95
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the Great Owl animation Production Cel
The Secret of NIMH (1982)
Production cel of the Great Owl
There is evidence of tape residue along each edge of the overlay cel, with tape residue along the extreme upper edge of the character cel.
The size of this piece is 12 Field (11"x13") and the size of the image is 8" h x 9" w.
US$ 350 (unframed).

SNCCS5
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the Little Matchgirl animation Storyboard
The Little Matchgirl (2006)
Storyboard of the Little Matchgirl and a horseman
The storyboard is taped to a 12 field piece of animation paper with clear tape in each corner. There is evidence of some slight handling throughout. There is some very slight folding in the lower right corner, which could be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 2.75" h x 4.75" w.
US$ 350 (unframed).

WDDCS802
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Minnie Mouse animation Ink Test Cel
Disney Studios (c. 1930s)
Ink test cel of Minnie Mouse
This artwork appears on page 101 of Mindy Johnson's "Ink & Paint - The Women of Walt Disney's Animation"
The cel is signed "Castle" in the lower right corner. Comes with a custom hand-painted background.
Ink test cels do not become available very often, and it is very rare that they are signed.
Ink test cels were used by Disney Studios in the hiring process for the Ink & Paint Department. A cel such as this may have been shown to the trainees as an example of the level of quality the company expected from its artists, or conversely, it may have been an actual art test done by an applicant. Those applying to be inkers would have closely copied the linework of an example cel. For those applying to be painters, many of the painting tests were done using old production cels from Disney shorts, which were wiped clean (since the paint was applied to the back of a cel, maintaining the linework on the front) and were then re-painted by the applicant.
The cel measures 4.25" x 10".

The scene is from Puppy Love (1933).
The cel has been trimmed. There is evidence of pinholes and staple holes along the lower edge and in the corners of the cel, with a group of slightly larger holes in the upper left corner, which could all be easily matted out. The cel has become very slightly wavy which is common for cels of this age. There is evidence of some slight paint separation, with slight paint loss, in Minnie's face near her left eye, as well as some slight paint separation in her face, left glove, her ears, and in her skirt. There is a small hairline scratch in the cel running through her skirt. There is a tiny speck of mottling along the right edge, which is only noticeable upon close inspection. The cel is secured to the background along the upper edge with two small strips of painter's tape, which could be easily matted out.
The size of the image is 4.5" h x 3.5" w.
US$ 5500 (unframed).

WDC1396
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Donald Duck animation Ink Test Cel
Disney Studios (c. 1930s)
Ink test cel of Donald Duck
This artwork appears on page 101 of Mindy Johnson's "Ink & Paint - The Women of Walt Disney's Animation"
The cel is signed "Jacqueline Steele" in the lower right corner. Comes with a custom hand-painted background.
Ink test cels do not become available very often, and it is very rare that they are signed.
Ink test cels were used by Disney Studios in the hiring process for the Ink & Paint Department. A cel such as this may have been shown to the trainees as an example of the level of quality the company expected from its artists, or conversely, it may have been an actual art test done by an applicant. Those applying to be inkers would have closely copied the linework of an example cel. For those applying to be painters, many of the painting tests were done using old production cels from Disney shorts, which were wiped clean (since the paint was applied to the back of a cel, maintaining the linework on the front) and were then re-painted by the applicant.
The cel measures 5.75" x 10".
The scene is from Mickey’s Service Station (1935).
The cel has been trimmed. There is evidence of staple and pin holes in the corners of the cel, as well as one halfway along the right edge, as well as a small pucker in the cel material along the right edge, all of which could be easily matted out. There are three tiny hairline tears in the peghole, which could also be matted out. The cel has become very slightly wavy, which is common for cels of this age. There is some extremely slight paint separation in Donald's neck, left foot, and in his belly. There is some very slight mottling throughout the cel. The cel is secured to the background along the upper edge with two small strips of painter's tape, which could be easily matted out.
The size of the image is 3.25" h x 2.25" w.
US$ 4500 (unframed).

WDC1397
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Mickey Mouse animation Ink Test Cel
Disney Studios (c. 1930s)
Ink test cel of Mickey Mouse
This artwork appears on page 101 of Mindy Johnson's "Ink & Paint - The Women of Walt Disney's Animation"
The cel is signed "Hughey Kemper" in the lower right corner. Comes with a custom hand-painted background.
Ink test cels do not become available very often, and it is very rare that they are signed.
Ink test cels were used by Disney Studios in the hiring process for the Ink & Paint Department. A cel such as this may have been shown to the trainees as an example of the level of quality the company expected from its artists, or conversely, it may have been an actual art test done by an applicant. Those applying to be inkers would have closely copied the linework of an example cel. For those applying to be painters, many of the painting tests were done using old production cels from Disney shorts, which were wiped clean (since the paint was applied to the back of a cel, maintaining the linework on the front) and were then re-painted by the applicant.
This cel measures 4.25" x 10".
The scene is from Mickey’s Garden (1935).
The cel has been trimmed. There is evidence of pinholes and staple holes in the corners of the piece, which could be easily matted out. The cel has become very slightly wavy, which is common for cels of this age. There is evidence of some slight mottling in Mickey's back and legs. There is evidence of a few tiny bubbles in the paint in Mickey's left ear. The cel is secured to the background along the upper edge with a small strip of painter's tape which could be easily matted out.
The size of the image is 2.75" h x 3.75" w.
US$ 4500 (unframed).

WDC1395
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Goofy animation Ink Test Cel
Disney
Ink test cel of Goofy and Pluto
This artwork appears on pages 100 - 101 of Mindy Johnson's "Ink & Paint - The Women of Walt Disney's Animation"
The Pluto cel is signed "Slaughter" in the lower right corner, while the Goofy cel is signed "Grace Gaunt" in the lower right corner. Comes with a custom hand-painted background.
Ink test cels do not become available very often, and it is very rare that they are signed.Ink test cels were used by Disney Studios in the hiring process for the Ink & Paint Department. A cel such as this may have been shown to the trainees as an example of the level of quality the company expected from its artists, or conversely, it may have been an actual art test done by an applicant. Those applying to be inkers would have closely copied the linework of an example cel. For those applying to be painters, many of the painting tests were done using old production cels from Disney shorts, which were wiped clean (since the paint was applied to the back of a cel, maintaining the linework on the front) and were then re-painted by the applicant.
The cel of Pluto measures 7" x 10" while the cel of Goofy measures 6.25" x 10".
The scene with Pluto is from Pluto’s Judgment Day (1935), while the scene with Goofy is from On Ice (1935).
There is evidence of pinholes and staple holes along the edges and in the corners of each cel, which could be easily matted out. Additionally, there are two small pin holes 0.75" inches from the upper edge of the Pluto cel, which could also be matted out. The cels are secured to the background with small strips of painter's tape, which could also be matted out. There is evidence of some mild paint loss in Pluto's eye, nose and ear, and in Goofy's snout. Some slight paint separation has occurred in Pluto's shoulders, and in Goofy's face and shirt. The cels have become very slightly wavy which is common for cels of this age.
US$ 3500 (unframed).

WDC1398
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Horace animation Ink Test Cel
Disney Studios (c. 1930s)
Ink test cel of Horace and Clarabelle Cow
This artwork appears on page 100 of Mindy Johnson's "Ink & Paint - The Women of Walt Disney's Animation"
The Clarabelle cel is signed "Decker" in the lower right corner. Comes with a custom hand-painted background.
Ink test cels do not become available very often, and it is very rare that they are signed.
The cel of Horace measures 7.5" x 10" while the cel of Clarabelle measures 6" x 10".
The scene with Horace is from Camping Out (1934), while the scene with Carabelle is from On Ice (1935). Ink test cels were used by Disney Studios in the hiring process for the Ink & Paint Department. A cel such as this may have been shown to the trainees as an example of the level of quality the company expected from its artists, or conversely, it may have been an actual art test done by an applicant. Those applying to be inkers would have closely copied the linework of an example cel. For those applying to be painters, many of the painting tests were done using old production cels from Disney shorts, which were wiped clean (since the paint was applied to the back of a cel, maintaining the linework on the front) and were then re-painted by the applicant.

The cels have been trimmed. There is evidence of pinholes and staple holes in the corners and along the outer edges of the cels, which could be easily matted out. The cels have become very slightly wavy which is common for cels of this age. There is evidence of some tiny hairline tears in the pegholes of Horace's cel, which could be easily matted out. There is a faint approximately 3" inch crease along the upper edge of the Horace cel, which could also be matted out. There is some very slight linewear throughout, namely in Clarabelle's face and left glove. There is a small portion of paint separation in Horace's left glove. There is evidence of some mild mottling throughout, namely in Horace's arm, and Clarabelle's body. The cels are secured to the background along the upper edge with small strips of painter's tape, which could be easily matted out.
US$ 2500 (unframed).

WDC1399
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Pinocchio (with donkey ears) animation Courvoisier Cel
Pinocchio (1940)
Courvoisier cel of Pinocchio (with donkey ears) and some seahorses
The frame measures 16.00" x 16.00" inches while the aperture measures 08.50" x 08.25" inches.
The cel has become slightly wavy which is fairly common for production material of this age. The light reflection visible in the web image is not on the actual piece itself. There is evidence of some paint cracking throughout Pinocchio's body, hat, ears, hands, and face. There is some mild paint separation in his hair and the feather in his cap. There is evidence of a tiny amount of paint loss in the collar of his shirt, the tip of his right ear, and in the middle finger of his left hand.
The size of the image is 5.5" h x 6.75" w.
US$ 1850 (framed).

WDC1389
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the White Rabbit animation Production Cel
Alice in Wonderland (1951)
Production cel of the White Rabbit
The cel measures 7" x 9" inches.
The cel has been trimmed. There is evidence of some very slight adhesive residue along the upper edge, which could be easily matted out. The cel has become very slightly wavy which is not uncommon for production material of this kind. There is a very small .25" inch area of cel loss halfway along the lower edge, which could also be matted out. There is evidence of some mild linewear throughout the character. There is a very small area of paint separation in the rabbit's left paw, as well as a tiny spot of paint loss in his cheek. There is evidence of some slight line loss in the rabbit's ears, collar, his trousers, hands, and in the decree he is holding. There is evidence of some handling and mild creasing along the outer edges of the cel, which could be easily matted out.
The size of the image is 5.5" h x 5" w.
US$ 1600 (unframed).

WDC1400
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Bambi animation Production Cel
Bambi (1942)
Production cel of Bambi and Thumper
The frame measures 20" x 18.50" inches, while the aperture measures 8" x 6.50" inches.
The plaque inscription reads "Bambi & Thumper Original Production Cel Bambi 1942".
The cel has become slightly wavy which is not uncommon for production material of this kind. There is evidence of some moderate paint separation throughout both characters, with evidence of lifting in areas of Thumper's back, belly, chest and face, and in Bambi's eye, side, and legs. There is a line of adhesive residue running along the upper edge of the cel, which is only noticeable upon close inspection.
Signed by: Frank Thomas and Ollie Johnston

US$ 2900 (framed).

WDCCS760
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Si and Am animation Disneyland Cel Set-up
Lady and the Tramp (1955)
Disneyland cel set-up of Si and Am
The piece measures 12" x 9" inches.
There are four small staples, two along the upper edge and two along the lower edge, all of which could be easily matted out. Along the lower edge, there is a small 1/2 inch hairline tear under the leftmost staple, as well as a 1.50" inch hairline tear under the rightmost staple, with a very small 0.25" section of cel loss at its terminus, which could all be easily matted out. There is a tiny spot of paint loss in the chest of the cat facing the viewer, as well as some very slight linewear in his right eye. There is evidence of some slight linewear in the cats' whiskers. There is a smal portion of cel loss in the upper right corner, as well as evidence of some wear and creasing in each corner respectively, which could be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 3.5" h x 5.5" w.
US$ 2500 (unframed).

WDCCS762
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Figaro animation Courvoisier Cel
Pinocchio (1940)
Courvoisier cel of Figaro and Cleo the goldfish
The matte measures 12" x 12.25" inches, while the aperture measures 6.50" x 5.75" inches.
There is some very slight adhesive residue along the outer edge of the cel. There are some very slight scratches in the paint of the rim and base of the fishbowl. There is some paint separation in Cleo's face, lips and eyes, with a small section of paint loss between her eyes. There is evidence of some slight paint separation in Figaro's elbow. Figaro has shifted slightly upward, and is haloed by some slight adhesive residue under his face and body. There is some very slight paint separation in the castle and in the sand below it. There is evidence of a few very slight fox marks in the background.
The size of the image is 2.25" h x 4" w.
US$ 2400 (matted).

WDCCS763
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Patch animation Disneyland Cel Set-up
101 Dalmatians (1961)
Disneyland cel set-up of Patch and two Dalmatian puppies
There are two staples halfway along the upper edge, which could be easily matted out. There are four tears in the cel originating at the staples and running to the upper edge, which could also be matted out. There is evidence of some extremely slight paint separation in the rightmost puppy and in small areas of the middle puppy, though it is only noticable upon close examination.
The size of this piece is 12 Field (11"x13") and the size of the image is 3.25" h x 7.75" w.
US$ 895 (unframed).

WDC1401
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Maleficent animation Production Cel
Sleeping Beauty (1959)
Production cel of Maleficent
The frame measures 13.75" x 12" inches while the aperture measures 10" x 8" inches.
There is evidence of some mild paint separation in Maleficent's left index finger, the hem of her left sleeve, the base of her neck, in her collar, her left eye, and in the purple of her eyeshadow, as well as a few tiny hairline cracks in the paint along the bridge of her nose. There is evidence of some slight linewear in the details of her horns. The cel has become slightly wavy, which is not uncommon for production material of this kind.
The size of the image is 7" h x 6" w.
US$ 1950 (framed).

WDCCS761
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two fairies animation Courvoisier Cel
Fantasia (1940)
Courvoisier cel of two fairies
The frame measures 10" x 13" inches, while the aperture measures 5.75" x 6.50" inches.
Please note the light reflection visible in the web image is not on the piece itself. As visible in the web image there is an area of slight discoloration in the upper right of the matting. The cel has become very slighly wavy, which is not uncommon for production material of this kind. There is a line of some slight adhesive residue along the upper edge where the cel meets the matting. There is evidence of some very slight, tiny flecks of foxing throughout.
The size of the image is 1.75" h x 2.75" w.
US$ 1150 (framed).

WDCCS766
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Lady animation Production Cel
Lady and the Tramp (1955)
Production cel of Lady

The cel measures 11" x 8.5".
The cel has been trimmed.
The size of the image is 7" h x 5" w.
US$ 1100 (unframed).

WDCCS767
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Mickey Mouse animation Storyboard
Mickey Down Under (1948)
Storyboard of Mickey Mouse and an ostrich
This piece measures 6" x 8.50" inches.
There is evidence of multiple staple and pin holes in the corners, which is not uncommon for production material of this kind, and could be easily matted out. There is a 1/2" inch area of paper loss along the upper edge which could also be matted out. There is evidence of some mild handling, with some slight folding in the upper left corner, along the lower edge, and very slight folding throughout the piece, with the folding along the edges being easily matted out. The paper has a perforated edge along the right side, which could also be matted out.
The size of the image is 4.25" h x 5.5" w.
US$ 1200 (unframed).

WDDCS808
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Winnie the Pooh animation Production Cel
The New Adventures of Winnie the Pooh (1988 - 1991)
Production cel of Winnie the Pooh and Tigger
The frame is 19.00" x 16.50" inches while the aperture measures 12.25" x 9.75" inches.
There is some extremely faint paint speckling in Piglet's body. Please note: the light reflection visible in the web image is not on the actual piece.
The size of the image is 6" h x 7.25" w.
US$ 495 (framed).

WDCCS699
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Madame Medusa animation Production Cel
The Rescuers (1977)
Production cel of Madame Medusa
The cel has been laminated. There is a small strip of clear adhesive tape halfway along the lower edge, which could be easily matted out. There are a few tiny bubbles in the laminate throughout the piece. There are a few small flecks of foxing throughout.
The size of this piece is 16 Field (13"x16") and the size of the image is 8.25" h x 9" w.
US$ 450 (unframed).

WDCCS758
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Tod animation Production Cel
The Fox and the Hound (1981)
Production cel of Tod
The cels are stapled together in the extreme upper corners.
The size of this piece is 16 Field (13"x16") and the size of the image is 9" h x 11" w.
US$ 450 (unframed).

WDCCS768
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a duck animation Disneyland Cel Set-up
Disney Television (c. 1960s)
Disneyland cel set-up of a duck
The matte measures 12" x 10.50" while the aperture measures 8" x 6.50" inches.
There is evidence of some mild paint separation in the character's right foot, the knuckles of the left hand, in his vest and bandana, in the pipe, and in the lower left side of his face, running into his neck. There is some mild cracking in the areas of paint separation, with some very slight lifting in the left shoulder and face. The cel has become very slightly wavy which is not uncommon for production material of this kind.
The size of this piece is 12 Field (11"x13") and the size of the image is 4.75" h x 6.5" w.
(matted).

WDCCS764
a seagull animation Disneyland Cel Set-up
Disney Television (c. 1960s)
Disneyland cel set-up of a seagull
The matte measures 9.40" x 9" while the aperture measures 5.50" x 5" inches.
The cel has become very slightly wavy which is not uncommon for production material of this kind. There is some very slight hairline cracking in the paint in the seagull's head. There is evidence of some very slight linewear throughout. There is some slight mottling.
The size of the image is 3.75" h x 4" w.
US$ 50 (unframed).

WDCCS765
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the Grinch animation Production Cel
How The Grinch Stole Christmas (1966)
Production cel of the Grinch and Max
The cel appears at 7:15 minutes in the film.
There is some very slight adhesive residue along the upper edge, which could be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 5.75" h x 8.5" w.
US$ 3500 (unframed).

CJC107
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the Grinch animation Production Cel
How The Grinch Stole Christmas (1966)
Production cel of the Grinch and Max
The framed piece measures 18" x 20.5" with the aperture measuring 9" x 11.5".
Max appears at 8:25 minutes in the film, while the Grinch appears at 8:21 minutes in the film.
There is evidence of some line wear throughout.
US$ 3900 (framed).

CJCCS45
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the Grinch animation Production Cel
How The Grinch Stole Christmas (1966)
Production cel of the Grinch
The frame measures 17" x 19" inches while the aperture measures 9" x 11" inches.
This image appears at approximately 15:03 minutes in the film.
There is evidence of some mild linewear throughout the character, namely in the Grinch's left cheek, the brim of his hat, the hem of his coat, his eyebrows, and in his rear. There is evidence of some mild linewear in the candy canes as well.
Signed by: Chuck Jones

The size of the image is 6" h x 4.75" w.
US$ 3500 (framed).

CJCCS46
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the Grinch animation Production Cel
How The Grinch Stole Christmas (1966)
Production cel of the Grinch
The frame measures 19.50" x 17" inches, while the aperture measures 12" x 9.50" inches.
Please note the light reflection visible in the web image is not on the piece itself. There is some very slight line smudging at the top of Grinch's hair. There is some slight linewear throughout, namely in the Grinch's eyebrows. There is some very slight mottling throughout, with some tiny flecks of stray paint throughout.
Signed by: Chuck Jones

The size of the image is 9.5" h x 4.5" w.
US$ 2900 (framed).

CJCCS47
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the Grinch animation Production Cel
How The Grinch Stole Christmas (1966)
Production cel of the Grinch
The frame measures 21" x 19" inches, while the aperture measures 11.25" x 9.25" inches.
This piece comes with a WWA Gallery certificate of authenticity.
Please note the light reflection visible in the web image is not on the piece itself. The cel has become very slightly wavy, namely along the upper edge, which is not uncommon for production material of this kind. There is evidence of some slight mottling in the Grinch's green fur. There is some slight linewear in his hat and face. There is a very thin dark line of about .75" inches running through the Grinch's left hand. There are a few tiny flecks of stray paint throughout.
Signed by: Chuck Jones

The size of the image is 9" h x 6.5" w.
US$ 2900 (framed).

CJCCS48
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Max animation Production Cel with Matching Drawing
How The Grinch Stole Christmas (1966)
Production cel with matching drawing of Max
There is a Chuck Jones signature on both the cel and the drawing.
There are two strips of white archival tape along the upper edge, securing the cel to the background, which could be easily matted out. There is a tiny hairline tear in the rightmost peghole, which could also be matted out. There is some slight linewear throughout the cel. There is evidence of some slight handling in the drawing. There is some slight discoloration and minor tearing along the right edge, which could be easily matted out.
Signed by: Chuck Jones

The size of this piece is 12 Field (11"x13") and the size of the image is 2.25" h x 4" w.
US$ 2800 (unframed).

CJCCS58
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the Grinch animation Production Cel
How The Grinch Stole Christmas (1966)
Production cel of the Grinch and Max
The frame measures 21" x 18.50" inches while the aperture measures 11" x 8.50" inches.
This piece features two Chuck Jones signatures; one on the cel, and one on the reverse side of the frame, on the backboard.
There is evidence of ome mild linewear throughout, namely in Max's paws, teeth, the Grinch's hand, and in his eyebrows. There is evidence of some slight mottling in the red of the Grinch's coat. There are a few tiny flecks of stray paint throughout.
Signed by: Chuck Jones

The size of the image is 6" h x 6" w.
US$ 2500 (framed).

CJCCS50
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Max animation Production Cel
How The Grinch Stole Christmas (1966)
Production cel of Max
The framed piece measures 20.5" x 18.0" with the aperture measuring 12.0" x 9.5". The cel is framed with a hand painted presentation background. Comes with WWA Certificate of Authenticity.
There is very slight line wear throughout though nearly discernible.
Signed by: Chuck Jones (estate signed)

The size of the image is 2.5" h x 5.25" w.
US$ 2500 (unframed).

CJCCS28
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Fred Flintstone animation Production Cel and Production Background
Hanna-Barbera (c.1960s)
Production cel and production background of Fred Flintstone and Barney Rubble
This piece measures 8.25" x 10.10" inches.
There is evidence of some slight linewear throughout, namely in the wood of the car and throughout Barney. There is a tiny area of paint loss in Barney's arm. There is evidence of some extremely slight paint separation, with no lifting, in both Fred and Barney's hair. There is some very slight mottling in the white canopy above the characters. There are a few tiny specks of stray paint throughout. The cels are secured to the background with a staple halfway along the lower edge, which could be easily matted out.
The size of the image is 3.25" h x 3" w.
US$ 2500 (unframed).

HBMCS25
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the Flintstones animation Color Model Cel
Hanna-Barbera (c.1970s)
Color model cel of the Flintstones and the Rubbles
The cel measures 16.50" x 10.50" inches.
There is an approximately 2" inch crease in the lower left corner of the cel, with another 1" inch crease just above it. There is a small 0.50" inch crease in the lower right corner, which could be easily matted out. There are a few tiny flecks of stray paint throughout. There is a small line of brown paint on Barney's wrist. There are a few tiny flecks of stray paint throughout.
US$ 950 (unframed).

HBCCS72
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Sandy Cheeks animation Production Drawing
SpongeBob SquarePants
Production drawing of Sandy Cheeks
The size of this piece is 12 Field (11"x13") and the size of the image is 4.5" h x 3.75" w.
US$ 75 (unframed).

SBDF91
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Fred Flintstone animation Publicity Cel on Master Background
The Flintstones
Publicity cel on master background of Fred Flintstone and Barney Rubble
There is clear tape sealing the cels to the background along the upper edge, with two strips on the lower left and right corners, as well as a 2" inch strip running vertically from midway along the upper edge, which could all be matted out. There are three pinholes along the upper edge, which could also be easily matted out. There is a small 1/2" inch tear in the background in the lower right corner, which could be easily matted out. There are a few tiny flecks of paint throughout. The watermark of the artboard is just slightly visible in the lower half of the background. There is some small writing in the lower right corner which could also be matted out.
The size of this piece is 16 Field (13"x16") and the size of the image is 6.5" h x 8.75" w.
US$ 950 (unframed).

HBCCS98
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Spook animation Production Cel
Top Cat Cartoon Series (1962)
Production cel of Spook and Choo-Choo
The Manhattan Alley Cats, Top Cat's Gang!!
There is evidence of some very slight linewear throughout the characters. There are a few flecks of stray paint in and around the characters. There is some green paint in the upper left corner, lower right corner, and along the right edge, which could be easily matted out. There is a tiny area of line loss in both Brain and Benny's nose.
The size of this piece is 12 Field (11"x13") and the size of the image is 4" h x 5" w.
US$ 495 (unframed).

HBCCS82
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the Flintstones animation Publicity Cel
The Flintstones
Publicity cel of the Flintstones and the Rubbles
This publicity cel does not have pegholes.
There are a few tiny flecks of stray paint throughout the piece. There is evidence of some slight paintloss in Bamm Bamm's club.
The size of this piece is 12 Field (11"x13")
US$ 495 (unframed).

HBCCS95
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the Banana Splits animation Publicity Cel
Hanna-Barbera Studio
Publicity cel of the Banana Splits
This publicity cel has no peg holes.
There is evidence of stray flecks of paint throughout the piece, both in and around the characters. There is some slight mottling in the following areas: in the lion's nose and snout, his gloves, and his right sleeve, in the gorilla's glasses, right cheek, teeth, and vest, and in the elephant's glasses, eyes, and collar. There is some stray paint along the edges, which could be easily matted out. There is a tiny area of paint loss under the lion's tongue, and in the dog's nose.
The size of this piece is 12 Field (11"x13")
US$ 495 (unframed).

HBCCS74
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Scooby Doo animation Publicity Cel
Hanna-Barbera (c.1970s)
Publicity cel of Scooby Doo and Scooby Dum
This publicity cel does not have peg holes.
There is a small scratch in Scooby Doo's nose, though it is only visible upon close inspection. There are a few tiny flecks of foxing throughout.
The size of this piece is 12 Field (11"x13") and the size of the image is 9" h x 8.5" w.
US$ 350 (unframed).

HBCCS92
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Mulan animation Storyboard
Mulan (1998)
Storyboard of Mulan and Shang
The paper is slightly wavy at the edge of the image. There is some extremely slight folding in the corners of the paper, which could be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 5.5" h x 9.75" w.
US$ 650 (unframed).

WDDCS729
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Mulan animation Storyboard
Mulan (1998)
Storyboard of Mulan
The paper is slightly wavy along the right-hand side of the image. There is some slight folding in the corners which could be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 3.25" h x 4.5" w.
US$ 450 (unframed).

WDDCS733
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Mulan animation Storyboard
Mulan (1998)
Storyboard of Mulan
The paper is slightly wavy. There is a slight 2" inch spot of discoloration underneath Mulan, as visible in the web image. There is some very slight folding in the corners, which could be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 5" h x 2.75" w.
US$ 425 (unframed).

WDDCS728
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Snoopy animation Publicity Cel
Peanuts (c. 1990s)
Publicity cel of Snoopy and Charlie Brown
There are small strips of clear tape halfway along the upper and lower edges, which could be easily matted out. There is evidence of some stray paint flecked throughout, namely a small area of white paint to the right of Snoopy's head. There is a slight 2.50" inch crease in the cel to the left of Charlie's head, though it is only noticeable upon close inspection.
The size of this piece is 12 Field (11"x13") and the size of the image is 5.5" h x 5.5" w.
US$ 650 (unframed).

PNCCS83
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Bart Simpson animation Key Master Set-up
Old Money (1991)
Key master set-up of Bart Simpson and Lisa Simpson
Corn Fight!!
Comes with a WWA Gallery certificate of authenticity.
There are two small strips of white archival tape securing the cels to the background, which could be easily matted out. There is some very slight linewear throughout the characters.
The size of this piece is 12 Field (11"x13") and the size of the image is 5" h x 6.75" w.
US$ 800 (unframed).

SIMMCS21
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Bart Simpson animation Production Cel
Mr. Lisa Goes to Washington (1991)
Production cel of Bart Simpson and a concierge
There are strips of white archival tape along the lower edge of the cel, securing the cels to the background, which could be easily matted out. There is evidence of some very slight handling.
The size of this piece is 12 Field (11"x13") and the size of the image is 8" h x 10" w.
US$ 500 (unframed).

SIMCCS196
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Homer Simpson animation Production Cel
Weekend at Burnsie's (2002)
Production cel of Homer Simpson and a policeman
A young Homer flirts with trouble while smoking.
There are a few strips of white archival tape along the lower edge, securing the cels to the background, which could be easily matted out. There is a dark xerographic line running along the upper edge, which could also be easily matted out. There is evidence of some extremely slight handling as well as some tiny flecks of stray paint throughout.
The size of this piece is 12 Field (11"x13")
US$ 500 (unframed).

SIMCCS192
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Edna Krabappel animation Production Cel
Sideshow Bob Roberts (1994)
Production cel of Edna Krabappel and Bart Simpson
It's always champagne time for Mrs. Krabappel!
There are strips of white archival tape securing the cels to the background along the lower edge, which could be easily matted out. There is evidence of some very slight handling, and some tiny flecks of stray paint throughout. There is a dark xerographic line running along the left edge and halfway across the upper edge of the cel, which could be easily matted out.
The size of this piece is 12 Field (11"x13") and the size of the image is 8.5" h x 9" w.
US$ 400 (unframed).

SIMCCS194
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Available on Layaway

     

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